Sunday, September 2, 2012
Friday, August 17, 2012
Stone Age Animated Art and the Origins of Cinema
As well as the spectacular scenery to walk in during a Pyrenees Mountain Adventure guided holiday, the Eastern Pyrenees are also famous for their caves and cave art. One of the most spectacular caves is at Niaux in the Ariege which includes images of ibex, horses and bison. The cave art as well as being spectacular also records species loss because bison and ibex are no longer found in the Pyrenees.
Some of the animals at Niaux and in other caves across Europe are depicted with several heads or more legs than is natural which has puzzled researchers.
Marc Azéma, of the University of Toulouse, is a Palaeolithic researcher and film maker who has spent the past 20 years exploring the representation of animal movement in cave art. In an article in the June issue of Antiquity, he suggests that some cave paintings may amount to the first cartoons. After studying images from 53 caves, according to Azéma, the reason that many have multiple heads and limbs is that the artists were using cartoon like techniques. When images of this sort are viewed using the flickering light from a burning torch, observers get the impression that the animals are moving. Animations include animals running, rearing their heads or swishing their tales.
His co-author, Florent Rivère, an independent artist, discovered that animal movement was also represented in more dynamic ways—with the use of animals drawn on a spinning bone disc. Rivère examined Magdalenian bone discs - objects found in the Pyrenees, the north of Spain and the Dordogne which measure about 1.50 inches in diameter. Because they are round and often have a hole pierced in their centre, the discs have been generally regarded as buttons or pendants. However according to Rivère, "Given that some are decorated on both sides with animals shown in different positions, we realized that another type of use, relating to sequential animation, was possible."
They used a bone disc found in 1868 in the Dordogne. On one side, the disc features a standing doe or a chamois. On the other side, the animal is lying down.
The researchers discovered that if a string was threaded through the central hole and then stretched tight to make the disc rotate about its lateral axis, the result was a superimposition of the two pictures on the retina. "The animal goes down then gets back up in a fraction of a second and vice versa."
“Stone Age artists intended to give life to their images,” Azéma says. “The majority of cave drawings show animals in action.” In these flickering images created by Palaeolithic people, the authors suggest, lie the origins of cinema.
Drawing of a bison from the Niaux Cave. |
Some of the animals at Niaux and in other caves across Europe are depicted with several heads or more legs than is natural which has puzzled researchers.
![]() |
Some cave art shows animals with multiple heads, legs and tails |
Marc Azéma, of the University of Toulouse, is a Palaeolithic researcher and film maker who has spent the past 20 years exploring the representation of animal movement in cave art. In an article in the June issue of Antiquity, he suggests that some cave paintings may amount to the first cartoons. After studying images from 53 caves, according to Azéma, the reason that many have multiple heads and limbs is that the artists were using cartoon like techniques. When images of this sort are viewed using the flickering light from a burning torch, observers get the impression that the animals are moving. Animations include animals running, rearing their heads or swishing their tales.
His co-author, Florent Rivère, an independent artist, discovered that animal movement was also represented in more dynamic ways—with the use of animals drawn on a spinning bone disc. Rivère examined Magdalenian bone discs - objects found in the Pyrenees, the north of Spain and the Dordogne which measure about 1.50 inches in diameter. Because they are round and often have a hole pierced in their centre, the discs have been generally regarded as buttons or pendants. However according to Rivère, "Given that some are decorated on both sides with animals shown in different positions, we realized that another type of use, relating to sequential animation, was possible."
They used a bone disc found in 1868 in the Dordogne. On one side, the disc features a standing doe or a chamois. On the other side, the animal is lying down.
The researchers discovered that if a string was threaded through the central hole and then stretched tight to make the disc rotate about its lateral axis, the result was a superimposition of the two pictures on the retina. "The animal goes down then gets back up in a fraction of a second and vice versa."
“Stone Age artists intended to give life to their images,” Azéma says. “The majority of cave drawings show animals in action.” In these flickering images created by Palaeolithic people, the authors suggest, lie the origins of cinema.
Wednesday, July 18, 2012
Freedom Trail 2012
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On the French Spanish border looking into Spain and 'freedom'. |
In 2010 I was solo and the following year I helped a group complete the Trail as their D of E Gold expedition. This year I helped with the walk that is organised every July to commemorate the escapers, evaders and helpers or 'passeurs' who made the journey during the dark days of the Nazi occupation of France. At various points along the route, including the site of a crashed RAF Halifax bomber, there are memorials where wreaths are laid and speeches made . There were over 100 participants this year - more than in previous years in part boosted by the publicity from a BBC Radio 4 programme in 2011. Those taking part included a group raising money for the Royal British Legion and a group of soldiers representing NATO. By chance there was also the father of an ex pupil of mine from my days as a teacher in Kent!
The group I looked after included walkers from Britain, Ireland, Belgium and the Netherlands. One of the only groups to finish the walk as a single unit and singing! A great bunch!
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The Four Nations Team |
Looking down on the Refuge des Estagnous |
Not all the walkers made it to Spain this year with several dropping out with injuries. There is always next year!
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An injured knee for this walker made it too painful to continue |
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Nazi propaganda about the STO. 'The bad days are over. Dad earns money in Germany.' |
The helpers or 'passeurs' were local men who knew the mountain paths and tracks by heart and were crucial to helping people escape. Many paid with their lives - caught and shot immediatley. This was sometimes due to betrayal by fellow countrymen who passed on information to La Milice - the feared and hated Vichy-run paramilitary force. More than 100 helpers or 'passeurs', like 19 year old Paul Barreu, were arrested and shot.
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The memorial to Paul Barreu |
The Freedom Trail escape route remained operational for the duration of the war in part due to it running through such difficult terrain - it was very difficult to police.
I thoroughly enjoyed helping out with the Commemorative Freedom Trail in 2012 which was well organised by Scott Goodall and Paul Debons. Thanks to them, all the helpers and of course all the walkers.
Have you been inspired by what you have read and seen? Are you ready for the challenge? Pyrenees Mountain Adventures can help you organise your Freedom Trail Escape. See the website for more information www.pyreneesmountainadventure.com
Thursday, June 14, 2012
Something Old, Something New and Something Unexpected
The French have an expression 'Que la montagne est belle!' - aren't the
mountains beautiful and a recent weekend wild camping demonstrated that perfectly. Some of the beauty was old, in the sense that I already knew about it, some of the beauty was new in that I discovered it during the weekend and some was unexpected........
The 'old beauty' was the Orlu Nature Reserve above the Orlu Valley in the Ariege. I had completed the walk up to the Naguille resevoir and dam before on one of my earliest visits to the Pyrenees back in the early 1990's. Then I was on holiday but now nearly 20 years later I work in the area showing clients the beauty the region has to offer with the the holidays that Pyrenees Mountain Adventure runs.
It was also the scenery that was as spectacular as ever.
It was how peaceful and uncrowded the area remained.
It was the still impressive display of wild flowers - Trumpet Gentian, Pyrenean Squill, Pyrenean Buttercup, Pyrenean Pheasant-Eye, Daffodil, and Marsh Marigold
It was the wildlife encounters - a Jay in the beach forest at the start of the walk, a kestrel flying in the valley level with me while at the Col d'en Beys, a ptarmigan not having completely lost its white winter plumage being disturbed from its hiding place among the juniper bushes, an eagle that came to investigate who I was and what I was doing at a col on day 2, a group of isard demonstrating their agility and power while climbing steep ground as I sat and watched in the fading light and a cheeky marmot.
The 'new beauty' and there is always new beauty to discover, was the Pinet Valley. Little known and rarely visited and better for it - I had it to myself.
At the head of the valley were Pic de Pinet and Pic d'Ouxis and between them a ridge that provided some entertaining scrambling. The clouds began to roll in as I started the ascent of Pic d'Ouxis (2510m) after lunch at the col and by the time I had completed the ridge and descended from Pic de Pinet (2420m), the first drops of rain began to fall.
The 'unexpected beauty' was being able to help two walkers who approached me at my wild camp site near the Peyrisses lakes (2227m) as I ate my evening meal. They wanted to know where the refuge was. The mist that had ghosted in had reduced visibility greatly. There was no refuge here. The Refuge d'en Beys was in the next valley! They had a map but were novices on their first mountain adventure and didn't really know how to use it. I ended up taking them to the correct col and part way down the correct descent path leaving them to continue on their own after the last snow patch had been crossed.
It seemed the correct thing to do and they were generous with their thanks. If I had been in their position I would have wanted someone to do exactly the same for me. It was waiting back at the col to check they made the valley below that I was rewarded with the encounter with the kestrel and the herd of isard. If I had not offered to help, my own weekend mountain adventure would have been much less rich in so many ways.........
The 'old beauty' was the Orlu Nature Reserve above the Orlu Valley in the Ariege. I had completed the walk up to the Naguille resevoir and dam before on one of my earliest visits to the Pyrenees back in the early 1990's. Then I was on holiday but now nearly 20 years later I work in the area showing clients the beauty the region has to offer with the the holidays that Pyrenees Mountain Adventure runs.
It was also the scenery that was as spectacular as ever.
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The view from Col d'en Beys |
It was the still impressive display of wild flowers - Trumpet Gentian, Pyrenean Squill, Pyrenean Buttercup, Pyrenean Pheasant-Eye, Daffodil, and Marsh Marigold
Moss Campion Silene acaulis |
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Marmot |
The 'unexpected beauty' was being able to help two walkers who approached me at my wild camp site near the Peyrisses lakes (2227m) as I ate my evening meal. They wanted to know where the refuge was. The mist that had ghosted in had reduced visibility greatly. There was no refuge here. The Refuge d'en Beys was in the next valley! They had a map but were novices on their first mountain adventure and didn't really know how to use it. I ended up taking them to the correct col and part way down the correct descent path leaving them to continue on their own after the last snow patch had been crossed.
Saturday, May 5, 2012
Top 10 Pyrenees Guide Books
There are a range of Pyrenees guide books on offer that I have used, and continue to use, to put together interesting walks and treks for Pyrenees Mountain Adventure that show off the best the Pyrenees has to offer . Here are my Top 10.
Best For General Information: Rough Guide to the Pyrenees (6th Ed. 2007)

Best For General Information: Rough Guide to the Pyrenees (6th Ed. 2007)
Covering the whole chain in detail and packed full of information. I am still using my 1995 edition. Essential.
"These mountains challenge and invite rather than intimidate."
2. Best For Historical Comparisons: A Guide to the Pyrenees. Charles Packe (1862)
'Especially intended for the use of mountaineers.' The first guide to the Pyrenees in English. Still in print and still of use in terms of ideas about where to walk. Very interesting to read to see what has changed since 1862 and what has stayed the same. The wolf and ibex that Packe mentions are extinct now in the Pyrenees and the shelter on the summit of Pic Canigou has also gone but the Eyne Valley has not lost its world class reputation as a site for alpine flowers.
"Inferior, indeed, to the Alps in height and expanse of barren glacier, but far more picturesque in form as well as colour"
Covers the High Pyrenees from Pic D'Anie to Pic Carlit - ignoring the parts of the chain closest to the Atlantic and Mediterranean. Includes 170 routes which are mostly day walks but there are several 2 and 3 day treks. Also includes routes along a section of a section of the Haute Randonnée Pyrénéan (HRP) of 24 days broken down into 3 stages. There are no walking maps.
"For the walker and trekker, the range has just about everything."
Concise. Pocket sIzed. Cover photo is 2001 edition
Rosemary
Bailey takes a journey through the Pyrenees. In the process we learn
more about this beautiful region and the lives of some of the colourful
characters who explored and popularised the area in the nineteenth
century. Foremost among them is Count Henry Russel (a friend of Charles Packe) who had an
astonishing relationsip with the highest peak on the French side of the
chain – the Vignemale.
A humerous, informative account of completing the GR10 Traverse across the Pyrenees from Atalantic to Mediterranean. A good introduction to the Pyrenees.
A more user friendly version of Walks and Climbs with more information, better maps and more photos.
'A magical range of mountains'
'The finest trekking in all Europe is to be found in the Pyrenees'
A guide that covers the whole GR10 - one of several long distance paths that traverse the Pyrenean Chain. 80 detailed maps showing timings, accommodation and points of interest. Good language section and includes some historical and geographical background as well as information on flora and fauna.
'This is an area of awe-inspiring beauty'
A guide book (in French) that concentrates just on the Catalan Pyrenees Regional Nature Park found in the Eastern Pyrenees closest to the Mediterranean - the sunniest part of the chain. 26 day walks and 2 weekend treks. Route description plus 1:25000 IGN map extract. Includes much useful general information on the geology, history, fauna and architecture of the area.
'A paradise for the walker.....there is something for all tastes and all levels'
The GR11 or 'La Senda' (The Track) is the Sapnish equivalent of the GR10 and this is the only English language guide to the route. A coast to coast traverse of the Pyrenees on the Spanish side of the chain.
10. Best For the HRP: The Pyrenean Haute Route. Tom Joosten. (Reprinted 2012)
Unlike the GR10 and GR11 the Haute Route crosses the French-Spanish
border many times, exploring both sides of the mountain range and
staying as close as possible to the main ridge of the Pyrenees.
The classic text is by George Veron (Pyrenees High Level Route 1991) the Frenchman who laid the foundations for the hardest of the coast to coast traverse routes but it is out of print.
Joosten's Cicerone guide is argueably as good. He walked every stage of the Haute Route more than once and all the
stages in the high mountains at least three times.
800km broken down into 42 stages including 500 GPS Waypoints to help with navigation..
Want help planning your perfect Pyrenees mountain adventure? Have a look at the Pyrenees Mountain Adventure website: www.pyreneesmountainadventure.com
The Pyrenees Mountain Adventure team look forward to hearing from you soon.
Tuesday, April 24, 2012
Top 10 Wilderness Films
Year: 2009. Director: Lucien Castaing-Taylor.
This film follows a group of shepherds/modern day cowboys driving a herd of sheep 300 km to summer pastures in the Beartooth Mountains of Montanna for the last time. The area is beautiful but harsh and the flock must be protected from a variety of natural dangers (storms, wolves and bears). Put together from material shot over 3 summers, the film has no narration and no soundtrack.
http://sweetgrassthemovie.com/
Year: 2007. Director: Sean Penn.
Based on the life of Chris MacCandless. MacCandless grew up in a wealthy family and was gifted intellectually and athletically. He graduated from Emory University with Honours in 1990 and had plans to attend Harvard Law School. Soon afterwards however, he gave 24,000 dollars that he had saved to Oxfam and went ‘walkabout’, severing all contact with his family and friends, creating a new life for himself tramping around the US. In April 1992 he hitchhiked to Alaska and walked alone into the wild. Five months later his decomposed body was found by a hunter. A lost man in a lost world searching for answers.
3. Grizzly Man
Year: 2005. Director: Werner Herzog.
A documentary about grizzly bear activists Timothy Treadwell and Amie Huguenard. They were both killed in October of 2003 by a grizzly bear. Timothy had lived among the grizzlies in Alaska for 13 summers.
" Behind me is Ed and Rowdy, members of an up-and-coming sub-adult gang. They're challenging everything, including me. Goes with the territory. If I show weakness, if I retreat, I may be hurt, I may be killed."
http://www.grizzlyman.com/timothy-treadwell/
Year: 2004. Director: Nicolas Vanier.
The film is set in the Yukon in Alaska and is based on the life of a real fur trapper called Norman Winter who plays himself. Winter, 50, is a modern-day Jeremiah Johnson living off what he hunts and fishes, making most of what he needs with his own two hands, including his log cabin. Not a true documentary - the scenes acted out are based on events in Winter's own life.
5. Alone in the Wilderness.
Year: 2003. Director: Bob Swerer.
This is the first in a series of films that shows how Dick Proenneke lived his dream of being self sufficient in the Alaska Wilderness.
"Thousands have had such dreams, but Dick Proenneke lived them. He found a place, built a cabin, and stayed to become part of the country." Proenneke filmed his own adventures, and Swerer later turned the footage into a film.
http://aloneinthewilderness.com/
Year: 1990. Director: Kevin Costner. An 'eco -western' directed and starring Kevin Costner. The fictional story follows John Dunbar an officer in the US Cavalry who has the choice of any posting he wants and chooses the 'Far West' frontier, because he wants " to see it before it's gone." Dunbar meets and becomes friends with a Sioux tribe of Native North Americans. He discovers their culture and the respect they have for the land.
7. The Big Blue
Year: 1988. Director: Luc Besson.
The fictional story follows the path of two 'free divers' who first meet as children. Both have a deep bond with the ocean.
8. Never Cry Wolf
Year: 1983. Director: Carroll Ballard.
This film dramatizes the true story of Farley Mowat, a government researcher sent to the Canadian tundra area to collect data about how the wolf population was allegedly harming the caribou herds. While studying the wolves and learning more about them and the harsh environment they live in, Mowat has his old beliefs and prejudices about wolves and the threat they pose challenged.
9. Jeremiah Johnson
Year: 1972. Director: Sydney Pollack.
A war weary veteran of the conflict in Mexico (1846-48), Jeremiah Johnson (played by Robert Redford) seeks to escape from his existing life and find peace and refuge on the frontier of the Western U.S. He becomes a mountain man supporting himself in the Rocky Mountains as a trapper.
10. Walkabout
Year: 1971. Director: Nicolas Roeg.
Two upper class English children find themselves stranded in the 'alien' Australian outback. They survive with the help of an aboriginal/Native Australian boy on walkabout and finally manage to return to 'civilisation'.
Monday, April 16, 2012
From the Ariege to the Big Apple
With the arrival of Spring and the rise in temperature, the brown bear population in the Pyrenees mountains is waking up after the winter hibernation.
The film shows the male adult brown bear Balou soon after leaving his hibernation site (16 March) The bear is attracted to this tree because a mixture of cows blood and mashed up sardines has been spread on it. It is important to attract the bear to this point because nearby is an automatic camera. The captured image is one way to keep a track of the bear population. Another is by using radio collars like the one Balou can be seen wearing. The signal emitted by the collar helps to locate the bear and track its movements.
About 20 live in the Pyrenees at present. This number is growing due in part to the programme of introducing bears from Slovenia to boost the Pyrenean population and add new stock but the growth in numbers is slow and 20 is still not a viable population.
At the end of the XIX century bear numbers were much larger particularly in the Couserans region of the Eastern Pyrenees. Life was very hard for the inhabitants and some had the idea to earn their living by becoming bear tamers.
Bear cubs, often left after the mother had been shot, would be trained to do tricks and would be displayed from town to town. The public would pay to see the bear perform. The men were called "montreur d'ours" — literally, "displayer of bears".
In villages like Ercé, Ustou, Aulus in the Couseran area of the Ariege, bear taming became something of an industry. Ercé even had a 'bear training school'
Some Ariege bear tamers travelled far from France including to America realising a better living could be made in the U.S. Some made money travelling with their bears dispalying them from town to town while others became animal trainers in the circus. Others changed their occupations completely and went to work in the mines or in hotels and restaurants, notably in New York.
In New York, it is in Central Park that the immigrants from the Couseran often meet near a rock formation called Ercé Rock, to exchange news from the Pyrenees or prepare for a new arrival from the the 'old' country.
The film shows the male adult brown bear Balou soon after leaving his hibernation site (16 March) The bear is attracted to this tree because a mixture of cows blood and mashed up sardines has been spread on it. It is important to attract the bear to this point because nearby is an automatic camera. The captured image is one way to keep a track of the bear population. Another is by using radio collars like the one Balou can be seen wearing. The signal emitted by the collar helps to locate the bear and track its movements.
About 20 live in the Pyrenees at present. This number is growing due in part to the programme of introducing bears from Slovenia to boost the Pyrenean population and add new stock but the growth in numbers is slow and 20 is still not a viable population.
At the end of the XIX century bear numbers were much larger particularly in the Couserans region of the Eastern Pyrenees. Life was very hard for the inhabitants and some had the idea to earn their living by becoming bear tamers.
Bear cubs, often left after the mother had been shot, would be trained to do tricks and would be displayed from town to town. The public would pay to see the bear perform. The men were called "montreur d'ours" — literally, "displayer of bears".
In villages like Ercé, Ustou, Aulus in the Couseran area of the Ariege, bear taming became something of an industry. Ercé even had a 'bear training school'
Some Ariege bear tamers travelled far from France including to America realising a better living could be made in the U.S. Some made money travelling with their bears dispalying them from town to town while others became animal trainers in the circus. Others changed their occupations completely and went to work in the mines or in hotels and restaurants, notably in New York.
In New York, it is in Central Park that the immigrants from the Couseran often meet near a rock formation called Ercé Rock, to exchange news from the Pyrenees or prepare for a new arrival from the the 'old' country.
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